Case Study: How Vice TV became the fastest-growing entertainment network without losing its brand recognition

By Sara Jerde

Vice TV, as a network, has been in business for about six years. But the service has grown up, along with the brand, expanding its offerings from just cannabis to explanatory, investigative journalism spanning episodes, limited series and documentaries across channels.

“What we’re trying to do is really focus on the brand and what people come to our brand for, which is this idea of challenging the system and telling stories that other people won’t and the kind of content they won’t see in other places really well told with high production values,” Morgan Hertzan, executive vice president & general manager, Vice TV, said at a recent Digiday U event highlighting how publishers decide content strategies across channels.

Hertzan’s team is responsible for overseeing content distribution across its many forms — including Hulu, YouTube and of course its linear channel under partnership with A&E.

“We are in the hit business,” Hertzan said. “Something that becomes a big event on television does well everywhere. That’s one of the learnings of the media business. Good content travels really well.”

Vice TV’s Mission: Mature its content offerings across channels

Why now?

Vice’s first foray into a bundled video service was an initial experiment with MTV — called VBS.TV — that served as an “early, early AVOD service,” Hertzan said. Then came Viceland six years ago — with programming largely centered around the world of cannabis. It was a “very different era in America,” Hertzan noted.

“People were coming to it because it was challenging the system. It was a thing they were participating in that they didn’t understand why it was illegal, why the laws were the way that they were, but it was inherently a challenger brand,” Hertzan said. “Vice is a challenger brand.”

But as the issue has become more legalized, normalized and accepted, Vice’s coverage, including its video offerings, have evolved too. While Vice has “a lot of legacy marijuana content in our library,” the programming now serves as a “gateway” to Vice’s other shows.

“That old school ‘let’s get crunk’ style of television — we don’t really do it anymore. The audience doesn’t want it, the brands don’t want it. That’s left us,” Hertzan said.

How was it executed?

Viceland evolved to tackle bigger subjects that got at what the audience wanted: stories that challenge the system and stories that aren’t told elsewhere. On linear, Vice TV considers what someone in the “cool parent” demographic might want to see — something that might tap into nostalgia for them, from the 1990s when they were in their late high school and college years.

“The Vice brand represents a challenger period in your life. Maybe you lived in Brooklyn, now you live in Cleveland and have two kids,” Hertzan said. “You still want to access that part of your life — being a challenger, being cool again.”

Vice TV works with Vice Insights, an in-house data …read more

Source:: Digiday